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*Christoph Cox and Daniel Warner eds. 2004 *&italic(){Audio Culture: Readings in Modern Music.} *New York: Continuum. #amazon(0826416152,right) &bold(){Webcat Plus} &blanklink(図書情報){http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA71171743} | &blanklink(所蔵図書館一覧){http://webcatplus-equal.nii.ac.jp/libportal/HolderList?txt_docid=NCID%3ABA71171743} **目次 -Theories --1. Music and its Others: Noise, Sound, Silence ---Jacques Attali "Noise and Politics" ---Luigi Russolo "The Art of Noises: Futurist Manifesto" ---Morton Feldman "Sound, Noise, Varèse, Boulez" ---Edgard Varèse "The Liberation of Sound" ---Henry Cowell "The Joys of Noise" ---John Cage "The Future of Music: Credo" ---R. Murray Schafer "The Music of the Environment" ---Mark Slouka "Listening for Silence: Notes on the Aural Life" ---Mary Russo and Dan Warner "Rough Music, Futurism, and Postpunk Industrial Noise Bands" ---Simon Reynolds "Noise" ---"The Beauty of Noise: An Interview with Masami Akita of Merzbow" --2. Modes of Listening ---Marshall McLuhan "Visual and Acoustic Space" ---Hanns Eisler & Theodor Adorno "The Politics of Hearing" ---Pierre Schaeffer "Acousmatics" ---Francisco Lopez "Profound Listening and Environmental Sound Matter" ---Ola Stockfelt "Adequate Modes of Listening" ---Brian Eno "Ambient Music" ---Iain Chambers "The Aural Walk" ---Pauline Oliveros "Some Sound Observations" ---J.K. Randall "Compose Yourself" --3. Music in the Age of Electronic Reproduction ---Glenn Gould "The Prospects of Recording" ---Brian Eno "The Studio as Compositional Tool" ---John Oswald "Bettered by the Borrower: The Ethics of Musical Debt" ---Chris Cutler "Plunderphonia" ---Kodwo Eshun "Operating System for the Redesign of Sonic Reality" -Practicies --4. The Open Work ---Umberto Eco "Poetics of the Open Work" ---John Cage "Composition as Process: Indeterminacy" ---Christoph Cox "Visual Sounds: On Graphic Scores" ---Earle Brown "Transformations and Developments of a Radical Aesthetic" ---John Zorn "The Game Pieces" ---Anthony Braxton "Introduction to Catalog of Works --5. Experimental Musics ---Michael Nyman "Towards (a Definition of) Experimental Music" ---John Cage "Introduction to Themes & Variations" ---Brian Eno "Generating and Organizing Variety in the Arts" ---Cornelius Cardew "Scratch Music Draft Constitution" ---David Toop "The Generation Game: Experimental Music and Digital Culture" --6. Improvized Musics ---Ornette Coleman "Change of the Century" ---Derek Bailey "Free Improvization" ---Frederic Rzewski "Little Bangs: A Nihilist Theory of Improvization" ---George E. Lewis "Improvised Music After 1950: Afrological and Eurological Perspectives" --7. Minimalisms ---Susan McClary "Rap, Minimalism and Structures of Time in Late Twentieth-Century Culture" ---Kyle Gann "Thankless Attempts at a Definition of Minimalism" ---Steve Reich "Music as a Gradual Process" ---Wim Mertens "Basic Concepts of Minimal Music" ---Tony Conrad "LYssophobia: On Four Violins" ---Philip Sherburne "Digital Discipline: Minimalism in House and Techno" --8. DJ Culture ---László Moholy-Nagy "Production–Reproduction: Potentialities of the Phonograph" ---William S. Burroughs "The Invisible Generation" ---Christian Marclay & Yasunao Tone "Record, CD, Analog, Digital" ---Paul D. Miller "Algorithms: Erasures and the Art of Memory" ---David Toop "Replicant: On Dub" ---Simon Reynolds "Post-Rock" --9. Electronic Music and Electronica ---Jacques Barzun "Introductory Remarks to a Program of Works Produced at the Columbia-Princeton Electronic Music Center" ---Karlheinz Stockhausen "Electronic and Instrumental Music" ---Karlheinz Stockhausen et al. "Stockhausen vs. the Technocrats" ---Ben Neill "Breakthrough Beats: Rhythm and the Aesthetics of Contemporary Electronic Music" ---Kim Cascone "The Aesthetics of Failure: Post-Digital Tendencies in Contemporary Computer Music"
#amazon(0826416152,right) *Christoph Cox and Daniel Warner eds. 2004 *&italic(){Audio Culture: Readings in Modern Music.} *New York: Continuum. &bold(){Webcat Plus} &blanklink(図書情報){http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA71171743} | &blanklink(所蔵図書館一覧){http://webcatplus-equal.nii.ac.jp/libportal/HolderList?txt_docid=NCID%3ABA71171743} **目次 -Theories --1. Music and its Others: Noise, Sound, Silence ---Jacques Attali "Noise and Politics" ---Luigi Russolo "The Art of Noises: Futurist Manifesto" ---Morton Feldman "Sound, Noise, Varèse, Boulez" ---Edgard Varèse "The Liberation of Sound" ---Henry Cowell "The Joys of Noise" ---John Cage "The Future of Music: Credo" ---R. Murray Schafer "The Music of the Environment" ---Mark Slouka "Listening for Silence: Notes on the Aural Life" ---Mary Russo and Dan Warner "Rough Music, Futurism, and Postpunk Industrial Noise Bands" ---Simon Reynolds "Noise" ---"The Beauty of Noise: An Interview with Masami Akita of Merzbow" --2. Modes of Listening ---Marshall McLuhan "Visual and Acoustic Space" ---Hanns Eisler & Theodor Adorno "The Politics of Hearing" ---Pierre Schaeffer "Acousmatics" ---Francisco Lopez "Profound Listening and Environmental Sound Matter" ---Ola Stockfelt "Adequate Modes of Listening" ---Brian Eno "Ambient Music" ---Iain Chambers "The Aural Walk" ---Pauline Oliveros "Some Sound Observations" ---J.K. Randall "Compose Yourself" --3. Music in the Age of Electronic Reproduction ---Glenn Gould "The Prospects of Recording" ---Brian Eno "The Studio as Compositional Tool" ---John Oswald "Bettered by the Borrower: The Ethics of Musical Debt" ---Chris Cutler "Plunderphonia" ---Kodwo Eshun "Operating System for the Redesign of Sonic Reality" -Practicies --4. The Open Work ---Umberto Eco "Poetics of the Open Work" ---John Cage "Composition as Process: Indeterminacy" ---Christoph Cox "Visual Sounds: On Graphic Scores" ---Earle Brown "Transformations and Developments of a Radical Aesthetic" ---John Zorn "The Game Pieces" ---Anthony Braxton "Introduction to Catalog of Works --5. Experimental Musics ---Michael Nyman "Towards (a Definition of) Experimental Music" ---John Cage "Introduction to Themes & Variations" ---Brian Eno "Generating and Organizing Variety in the Arts" ---Cornelius Cardew "Scratch Music Draft Constitution" ---David Toop "The Generation Game: Experimental Music and Digital Culture" --6. Improvized Musics ---Ornette Coleman "Change of the Century" ---Derek Bailey "Free Improvization" ---Frederic Rzewski "Little Bangs: A Nihilist Theory of Improvization" ---George E. Lewis "Improvised Music After 1950: Afrological and Eurological Perspectives" --7. Minimalisms ---Susan McClary "Rap, Minimalism and Structures of Time in Late Twentieth-Century Culture" ---Kyle Gann "Thankless Attempts at a Definition of Minimalism" ---Steve Reich "Music as a Gradual Process" ---Wim Mertens "Basic Concepts of Minimal Music" ---Tony Conrad "LYssophobia: On Four Violins" ---Philip Sherburne "Digital Discipline: Minimalism in House and Techno" --8. DJ Culture ---László Moholy-Nagy "Production–Reproduction: Potentialities of the Phonograph" ---William S. Burroughs "The Invisible Generation" ---Christian Marclay & Yasunao Tone "Record, CD, Analog, Digital" ---Paul D. Miller "Algorithms: Erasures and the Art of Memory" ---David Toop "Replicant: On Dub" ---Simon Reynolds "Post-Rock" --9. Electronic Music and Electronica ---Jacques Barzun "Introductory Remarks to a Program of Works Produced at the Columbia-Princeton Electronic Music Center" ---Karlheinz Stockhausen "Electronic and Instrumental Music" ---Karlheinz Stockhausen et al. "Stockhausen vs. the Technocrats" ---Ben Neill "Breakthrough Beats: Rhythm and the Aesthetics of Contemporary Electronic Music" ---Kim Cascone "The Aesthetics of Failure: Post-Digital Tendencies in Contemporary Computer Music"

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