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*Christoph Cox and Daniel Warner eds. 2004
*&italic(){Audio Culture: Readings in Modern Music.}
*New York: Continuum.
#amazon(0826416152,right)
&bold(){Webcat Plus} &blanklink(図書情報){http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA71171743} | &blanklink(所蔵図書館一覧){http://webcatplus-equal.nii.ac.jp/libportal/HolderList?txt_docid=NCID%3ABA71171743}
**目次
-Theories
--1. Music and its Others: Noise, Sound, Silence
---Jacques Attali "Noise and Politics"
---Luigi Russolo "The Art of Noises: Futurist Manifesto"
---Morton Feldman "Sound, Noise, Varèse, Boulez"
---Edgard Varèse "The Liberation of Sound"
---Henry Cowell "The Joys of Noise"
---John Cage "The Future of Music: Credo"
---R. Murray Schafer "The Music of the Environment"
---Mark Slouka "Listening for Silence: Notes on the Aural Life"
---Mary Russo and Dan Warner "Rough Music, Futurism, and Postpunk Industrial Noise Bands"
---Simon Reynolds "Noise"
---"The Beauty of Noise: An Interview with Masami Akita of Merzbow"
--2. Modes of Listening
---Marshall McLuhan "Visual and Acoustic Space"
---Hanns Eisler & Theodor Adorno "The Politics of Hearing"
---Pierre Schaeffer "Acousmatics"
---Francisco Lopez "Profound Listening and Environmental Sound Matter"
---Ola Stockfelt "Adequate Modes of Listening"
---Brian Eno "Ambient Music"
---Iain Chambers "The Aural Walk"
---Pauline Oliveros "Some Sound Observations"
---J.K. Randall "Compose Yourself"
--3. Music in the Age of Electronic Reproduction
---Glenn Gould "The Prospects of Recording"
---Brian Eno "The Studio as Compositional Tool"
---John Oswald "Bettered by the Borrower: The Ethics of Musical Debt"
---Chris Cutler "Plunderphonia"
---Kodwo Eshun "Operating System for the Redesign of Sonic Reality"
-Practicies
--4. The Open Work
---Umberto Eco "Poetics of the Open Work"
---John Cage "Composition as Process: Indeterminacy"
---Christoph Cox "Visual Sounds: On Graphic Scores"
---Earle Brown "Transformations and Developments of a Radical Aesthetic"
---John Zorn "The Game Pieces"
---Anthony Braxton "Introduction to Catalog of Works
--5. Experimental Musics
---Michael Nyman "Towards (a Definition of) Experimental Music"
---John Cage "Introduction to Themes & Variations"
---Brian Eno "Generating and Organizing Variety in the Arts"
---Cornelius Cardew "Scratch Music Draft Constitution"
---David Toop "The Generation Game: Experimental Music and Digital Culture"
--6. Improvized Musics
---Ornette Coleman "Change of the Century"
---Derek Bailey "Free Improvization"
---Frederic Rzewski "Little Bangs: A Nihilist Theory of Improvization"
---George E. Lewis "Improvised Music After 1950: Afrological and Eurological Perspectives"
--7. Minimalisms
---Susan McClary "Rap, Minimalism and Structures of Time in Late Twentieth-Century Culture"
---Kyle Gann "Thankless Attempts at a Definition of Minimalism"
---Steve Reich "Music as a Gradual Process"
---Wim Mertens "Basic Concepts of Minimal Music"
---Tony Conrad "LYssophobia: On Four Violins"
---Philip Sherburne "Digital Discipline: Minimalism in House and Techno"
--8. DJ Culture
---László Moholy-Nagy "Production–Reproduction: Potentialities of the Phonograph"
---William S. Burroughs "The Invisible Generation"
---Christian Marclay & Yasunao Tone "Record, CD, Analog, Digital"
---Paul D. Miller "Algorithms: Erasures and the Art of Memory"
---David Toop "Replicant: On Dub"
---Simon Reynolds "Post-Rock"
--9. Electronic Music and Electronica
---Jacques Barzun "Introductory Remarks to a Program of Works Produced at the Columbia-Princeton Electronic Music Center"
---Karlheinz Stockhausen "Electronic and Instrumental Music"
---Karlheinz Stockhausen et al. "Stockhausen vs. the Technocrats"
---Ben Neill "Breakthrough Beats: Rhythm and the Aesthetics of Contemporary Electronic Music"
---Kim Cascone "The Aesthetics of Failure: Post-Digital Tendencies in Contemporary Computer Music"
#amazon(0826416152,right)
*Christoph Cox and Daniel Warner eds. 2004
*&italic(){Audio Culture: Readings in Modern Music.}
*New York: Continuum.
&bold(){Webcat Plus} &blanklink(図書情報){http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA71171743} | &blanklink(所蔵図書館一覧){http://webcatplus-equal.nii.ac.jp/libportal/HolderList?txt_docid=NCID%3ABA71171743}
**目次
-Theories
--1. Music and its Others: Noise, Sound, Silence
---Jacques Attali "Noise and Politics"
---Luigi Russolo "The Art of Noises: Futurist Manifesto"
---Morton Feldman "Sound, Noise, Varèse, Boulez"
---Edgard Varèse "The Liberation of Sound"
---Henry Cowell "The Joys of Noise"
---John Cage "The Future of Music: Credo"
---R. Murray Schafer "The Music of the Environment"
---Mark Slouka "Listening for Silence: Notes on the Aural Life"
---Mary Russo and Dan Warner "Rough Music, Futurism, and Postpunk Industrial Noise Bands"
---Simon Reynolds "Noise"
---"The Beauty of Noise: An Interview with Masami Akita of Merzbow"
--2. Modes of Listening
---Marshall McLuhan "Visual and Acoustic Space"
---Hanns Eisler & Theodor Adorno "The Politics of Hearing"
---Pierre Schaeffer "Acousmatics"
---Francisco Lopez "Profound Listening and Environmental Sound Matter"
---Ola Stockfelt "Adequate Modes of Listening"
---Brian Eno "Ambient Music"
---Iain Chambers "The Aural Walk"
---Pauline Oliveros "Some Sound Observations"
---J.K. Randall "Compose Yourself"
--3. Music in the Age of Electronic Reproduction
---Glenn Gould "The Prospects of Recording"
---Brian Eno "The Studio as Compositional Tool"
---John Oswald "Bettered by the Borrower: The Ethics of Musical Debt"
---Chris Cutler "Plunderphonia"
---Kodwo Eshun "Operating System for the Redesign of Sonic Reality"
-Practicies
--4. The Open Work
---Umberto Eco "Poetics of the Open Work"
---John Cage "Composition as Process: Indeterminacy"
---Christoph Cox "Visual Sounds: On Graphic Scores"
---Earle Brown "Transformations and Developments of a Radical Aesthetic"
---John Zorn "The Game Pieces"
---Anthony Braxton "Introduction to Catalog of Works
--5. Experimental Musics
---Michael Nyman "Towards (a Definition of) Experimental Music"
---John Cage "Introduction to Themes & Variations"
---Brian Eno "Generating and Organizing Variety in the Arts"
---Cornelius Cardew "Scratch Music Draft Constitution"
---David Toop "The Generation Game: Experimental Music and Digital Culture"
--6. Improvized Musics
---Ornette Coleman "Change of the Century"
---Derek Bailey "Free Improvization"
---Frederic Rzewski "Little Bangs: A Nihilist Theory of Improvization"
---George E. Lewis "Improvised Music After 1950: Afrological and Eurological Perspectives"
--7. Minimalisms
---Susan McClary "Rap, Minimalism and Structures of Time in Late Twentieth-Century Culture"
---Kyle Gann "Thankless Attempts at a Definition of Minimalism"
---Steve Reich "Music as a Gradual Process"
---Wim Mertens "Basic Concepts of Minimal Music"
---Tony Conrad "LYssophobia: On Four Violins"
---Philip Sherburne "Digital Discipline: Minimalism in House and Techno"
--8. DJ Culture
---László Moholy-Nagy "Production–Reproduction: Potentialities of the Phonograph"
---William S. Burroughs "The Invisible Generation"
---Christian Marclay & Yasunao Tone "Record, CD, Analog, Digital"
---Paul D. Miller "Algorithms: Erasures and the Art of Memory"
---David Toop "Replicant: On Dub"
---Simon Reynolds "Post-Rock"
--9. Electronic Music and Electronica
---Jacques Barzun "Introductory Remarks to a Program of Works Produced at the Columbia-Princeton Electronic Music Center"
---Karlheinz Stockhausen "Electronic and Instrumental Music"
---Karlheinz Stockhausen et al. "Stockhausen vs. the Technocrats"
---Ben Neill "Breakthrough Beats: Rhythm and the Aesthetics of Contemporary Electronic Music"
---Kim Cascone "The Aesthetics of Failure: Post-Digital Tendencies in Contemporary Computer Music"