Game Sound - 聴覚文化研究会wiki

Karen Collins 2008

Game Sound : An Introduction to the History, Theory, and Practice of Video Game Music and Sound Design.

Cambridge: MIT Press.

Webcat Plus 図書情報 | 所蔵図書館一覧

目次

• 1. Introduction
  • Games are Not Films! But…
• 2. Push Start Button: The Rise of Video Games
  • Invaders in our Homes: The Birth of Home Consoles
  • ‘Well it needs sound’: The Birth of Personal Computers
• 3. Insert Quarter to Continue: 16-Bit and the Death of the Arcade
  • Nintendo and Sega: The Home Console Wars
  • Personal Computers get Musical
  • MIDI and the Creation of iMUSE
  • Amiga and the MOD Format
• 4. Press Reset: Video Game Audio Comes of Age
  • Home Console Audio Matures
  • Other Platforms: Rhythm-Action, Handhelds and Online Games
  • Rhythm-Action Games
  • Handheld Consoles
  • Online Games
• 5. Game Audio Today: Technology, Process and Aesthetic
  • The Process of Taking a Game to Market
  • The Audio Production Process
  • The Pre-Production Stage
  • The Production Stage
  • The Post-Production Stage
• 6. Synergy in Game Audio: Film, Popular Music and Intellectual Property
  • Popular Music and Video Games
  • The Impacts of Popular Music on Games, and Games on Popular Music
• 7. Gameplay, Genre and the Functions of Game Audio
  • Degrees of Player Interactivity in Dynamic Audio
  • Functions of Game Audio
  • Immersion and the Construction of the ‘Real’
• 8. Compositional Approaches to Dynamic Music
  • Non-Linearity in Games
  • Ten Approaches to Variability in Games Music
• 9. Conclusion