聴覚文化研究の大まかな流れやアプローチを把握するために共有しておきたい文献をリストアップしました。行頭のマークから各文献の詳細にリンクしています。
■ Altman, Rick ed. 1992 Sound Theory Sound Practice. London: Routledge.
■ Bull, Michael, and Les Back eds. 2003 The Auditory Culture Reader. New York: Berg.
■ Collins, Karen ed. 2008 From Pac-Man to Pop Music: Interactive Audio in Games and New Media. Aldershot: Ashgate.
■ Cox, Christoph and Daniel Warner eds. 2004 Audio Culture: Readings in Modern Music. New York: Continuum.
■ Drobnick, Jim ed. 2004 Aural Cultures Toronto: YYZ Books.
■ Erlmann, Veit ed. 2004 Hearing Cultures: Essays on Sound, Listening and Modernity. New York: Berg.
■ Linehan, Andy ed. 2001 Aural History: Essays on Recorded Sound. London: The British Library.
■ Kruth, Patricia, and Henry Stobert eds. 2000 Sound. Cambridge: Cambridge University Press.
■ Smith, Mark M. ed. 2004 Hearing History: A Reader. Athens: University of Georgia Press.
■ Bijsterveld, Karin 2008 Mechanical Sound: Technology, Culture, and Public Problems of Noise in the Twentieth Century. Cambridge: MIT Press.
■ Brady, Erika 1999 A Spiral Way: How the Phonograph Changed Ethnography. Jackson: University Press of Mississippi.
■ Bull, Michael 2000 Sounding out the City: Personal Stereos and the Management of Everyday Life. Oxford: Berg.
■ シオン、ミシェル 1993 『映画にとって音とは何か』、川竹英克、ジョジアーヌ・ピノン訳、東京：勁草書房。 (Michel Chion 1985 Le son au cinéma. Paris: Edition de l'Etoile.)
■ Collins, Karen 2008 Game Sound: An Introduction to the History, Theory, and Practice of Video Game Music and Sound Design. Cambridge: MIT Press.
■ コルバン、アラン 1997 『音の風景』、小倉孝誠訳、東京：藤原書店。 (Alain Corbin 1994 Les cloches de la terre: Paysage sonore et culture sensible dans les campagnes au XIXe siècle. Paris: Albin Michel.)
■ Douglas, Susan 2004 Listening in: Radio and the American Imagination. Minnesota: University of Minnesota Press.
■ Kenney, William Howland 1999 Recorded Music in American Life: The Phonograph and Popular Memory, 1890-1945. Oxford: Oxford University Press.
■ ランザ、ジョゼフ 1997 『エレベーター・ミュージック ―― BGMの歴史』、岩本正恵訳、東京：白水社。 (Joseph Lanza 1994 Elevator Music: A Surreal History of Muzak, Easy-Listening, and Other Moodsong. New York: St. Martin's Press.)
■ Morton, David 2000 Off the Record: The Technology and Culture of Sound Recording in America. New Brunswick: Rutgers University Press.
■ Rath, Richard Cullen 2005 (2003) How Early America Sounded. New ed. Ithaca: Cornell University Press.
■ シェーファー、R・マリー 2006 (1986) 『世界の調律 ―― サウンドスケープとはなにか』、鳥越けい子、小川博司、庄野泰子、田中直子、若尾裕訳、東京：平凡社。 (R. Murray Schafer 1977 The Tuning of the World. Ontario: Arcana Editions.)
■ Smith, Mark M. 2001 Listening to Nineteenth-Century America. Chapel Hill: University of North Carolina Press.
■ Sterne, Jonathan 2003 The Audible Past: Cultural Origins of Sound Reproduction. Durham: Duke University Press.
■ Thompson, Emily 2002 The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900-1933. Cambridge: MIT Press.
■ Truax, Barry 2001 (1984) Acoustic Communication. 2nd ed. Westport: Ablex.
