Christoph Cox and Daniel Warner eds. 2004
Audio Culture: Readings in Modern Music.
New York: Continuum.
目次
- Theories
- 1. Music and its Others: Noise, Sound, Silence
- Jacques Attali "Noise and Politics"
- Luigi Russolo "The Art of Noises: Futurist Manifesto"
- Morton Feldman "Sound, Noise, Varèse, Boulez"
- Edgard Varèse "The Liberation of Sound"
- Henry Cowell "The Joys of Noise"
- John Cage "The Future of Music: Credo"
- R. Murray Schafer "The Music of the Environment"
- Mark Slouka "Listening for Silence: Notes on the Aural Life"
- Mary Russo and Dan Warner "Rough Music, Futurism, and Postpunk Industrial Noise Bands"
- Simon Reynolds "Noise"
- "The Beauty of Noise: An Interview with Masami Akita of Merzbow"
- 2. Modes of Listening
- Marshall McLuhan "Visual and Acoustic Space"
- Hanns Eisler & Theodor Adorno "The Politics of Hearing"
- Pierre Schaeffer "Acousmatics"
- Francisco Lopez "Profound Listening and Environmental Sound Matter"
- Ola Stockfelt "Adequate Modes of Listening"
- Brian Eno "Ambient Music"
- Iain Chambers "The Aural Walk"
- Pauline Oliveros "Some Sound Observations"
- J.K. Randall "Compose Yourself"
- 3. Music in the Age of Electronic Reproduction
- Glenn Gould "The Prospects of Recording"
- Brian Eno "The Studio as Compositional Tool"
- John Oswald "Bettered by the Borrower: The Ethics of Musical Debt"
- Chris Cutler "Plunderphonia"
- Kodwo Eshun "Operating System for the Redesign of Sonic Reality"
- Practicies
- 4. The Open Work
- Umberto Eco "Poetics of the Open Work"
- John Cage "Composition as Process: Indeterminacy"
- Christoph Cox "Visual Sounds: On Graphic Scores"
- Earle Brown "Transformations and Developments of a Radical Aesthetic"
- John Zorn "The Game Pieces"
- Anthony Braxton "Introduction to Catalog of Works
- 5. Experimental Musics
- Michael Nyman "Towards (a Definition of) Experimental Music"
- John Cage "Introduction to Themes & Variations"
- Brian Eno "Generating and Organizing Variety in the Arts"
- Cornelius Cardew "Scratch Music Draft Constitution"
- David Toop "The Generation Game: Experimental Music and Digital Culture"
- 6. Improvized Musics
- Ornette Coleman "Change of the Century"
- Derek Bailey "Free Improvization"
- Frederic Rzewski "Little Bangs: A Nihilist Theory of Improvization"
- George E. Lewis "Improvised Music After 1950: Afrological and Eurological Perspectives"
- 7. Minimalisms
- Susan McClary "Rap, Minimalism and Structures of Time in Late Twentieth-Century Culture"
- Kyle Gann "Thankless Attempts at a Definition of Minimalism"
- Steve Reich "Music as a Gradual Process"
- Wim Mertens "Basic Concepts of Minimal Music"
- Tony Conrad "LYssophobia: On Four Violins"
- Philip Sherburne "Digital Discipline: Minimalism in House and Techno"
- 8. DJ Culture
- László Moholy-Nagy "Production–Reproduction: Potentialities of the Phonograph"
- William S. Burroughs "The Invisible Generation"
- Christian Marclay & Yasunao Tone "Record, CD, Analog, Digital"
- Paul D. Miller "Algorithms: Erasures and the Art of Memory"
- David Toop "Replicant: On Dub"
- Simon Reynolds "Post-Rock"
- 9. Electronic Music and Electronica
- Jacques Barzun "Introductory Remarks to a Program of Works Produced at the Columbia-Princeton Electronic Music Center"
- Karlheinz Stockhausen "Electronic and Instrumental Music"
- Karlheinz Stockhausen et al. "Stockhausen vs. the Technocrats"
- Ben Neill "Breakthrough Beats: Rhythm and the Aesthetics of Contemporary Electronic Music"
- Kim Cascone "The Aesthetics of Failure: Post-Digital Tendencies in Contemporary Computer Music"
最終更新:2007年04月05日 19:26