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*David Morton 2000
*'''Off the Record: The Technology and Culture of Sound Recording in America.'''
*New Brunswick: Rutgers University Press.
&bold(){Webcat Plus} &blanklink(図書情報){http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA46116619} | &blanklink(所蔵図書館一覧){http://webcatplus-equal.nii.ac.jp/libportal/HolderList?txt_docid=NCID%3ABA46116619}
**目次
-Introduction
-High Culture, High Fidelity, and the Making of Recordings in the American Record Industry
-The End of the "Canned Music" Debate in American Broadcasting
-"Girl or Machine?": Gender, Labor, Office Dictation, and the Failure of Recording Culture
-The Message on the Answering Machine: Recording and Interpersonal Communication
-The Tape Recorder, Home Entertainment, and the Roots of American Rerecording Culture
-Conclusion
#amazon(0813527473,right)
*David Morton 2000
*'''Off the Record: The Technology and Culture of Sound Recording in America.'''
*New Brunswick: Rutgers University Press.
''Webcat Plus'' &blanklink(図書情報){http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA46116619} | &blanklink(所蔵図書館一覧){http://webcatplus-equal.nii.ac.jp/libportal/HolderList?txt_docid=NCID%3ABA46116619}
**目次
-Introduction
-High Culture, High Fidelity, and the Making of Recordings in the American Record Industry
-The End of the "Canned Music" Debate in American Broadcasting
-"Girl or Machine?": Gender, Labor, Office Dictation, and the Failure of Recording Culture
-The Message on the Answering Machine: Recording and Interpersonal Communication
-The Tape Recorder, Home Entertainment, and the Roots of American Rerecording Culture
-Conclusion