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*Rick Altman ed. 1992 *&italic(){Sound Theory Sound Practice.} *London: Routledge. #amazon(0415904579,right) &bold(){Webcat Plus} &blanklink(図書情報){http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA3199040X} | &blanklink(所蔵図書館一覧){http://webcatplus-equal.nii.ac.jp/libportal/HolderList?txt_docid=NCID%3ABA3199040X} **目次 -Rick Altman "General Introduction: Cinema as Event" -Rick Altman "The Material Heterogeneity of Recorded Sound" -Part 1: Theoretical Perspectives --Rick Altman "Introduction: Four-and-a-half Film Fallacies" --Rick Altman "Sound Space" --Jim Lastra "Reading, Writing, and Representing Sound" --Steve Wurtzler "She Sang Live, but the Microphone was Turned Off: The Live, the Recorded, and the Subject of Representation" --Michel Chion "Wasted Words" -Part 2: Historical Speculations --Rick Altman "Introduction: Sound / History" --Alan Williams "Conversion to Sound" --Natasa Durovicova "Translating America: The Hollywood Multilinguals 1929-1933" --John Belton "1950s Magnetic Sound: The Frozen Revolution" -Part 3: Neglected Domains --Rick Altman "Introduction: Sound's Dark Corners" --Amy Lawrence "Women's Voices in Third World Cinema" --Scott Curtis "The Sound of Early Warner Bros. Cartoons" --Mary Pat Klimek "Imagining the Sound(s) of Shakespeare: Film Sound and Adaptation" --Jeff Ruoff "Conventions of Sound in Documentary" --Andrea Truppin "Let There Be Sound: The Films of Andrei Tarkovsky" -Rick Altman "Afterword: A Baker's Dozen of New Terms for Sound Analysis"
#amazon(0415904579,right) *Rick Altman ed. 1992 *&italic(){Sound Theory Sound Practice.} *London: Routledge. &bold(){Webcat Plus} &blanklink(図書情報){http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA3199040X} | &blanklink(所蔵図書館一覧){http://webcatplus-equal.nii.ac.jp/libportal/HolderList?txt_docid=NCID%3ABA3199040X} **目次 -Rick Altman "General Introduction: Cinema as Event" -Rick Altman "The Material Heterogeneity of Recorded Sound" -Part 1: Theoretical Perspectives --Rick Altman "Introduction: Four-and-a-half Film Fallacies" --Rick Altman "Sound Space" --Jim Lastra "Reading, Writing, and Representing Sound" --Steve Wurtzler "She Sang Live, but the Microphone was Turned Off: The Live, the Recorded, and the Subject of Representation" --Michel Chion "Wasted Words" -Part 2: Historical Speculations --Rick Altman "Introduction: Sound / History" --Alan Williams "Conversion to Sound" --Natasa Durovicova "Translating America: The Hollywood Multilinguals 1929-1933" --John Belton "1950s Magnetic Sound: The Frozen Revolution" -Part 3: Neglected Domains --Rick Altman "Introduction: Sound's Dark Corners" --Amy Lawrence "Women's Voices in Third World Cinema" --Scott Curtis "The Sound of Early Warner Bros. Cartoons" --Mary Pat Klimek "Imagining the Sound(s) of Shakespeare: Film Sound and Adaptation" --Jeff Ruoff "Conventions of Sound in Documentary" --Andrea Truppin "Let There Be Sound: The Films of Andrei Tarkovsky" -Rick Altman "Afterword: A Baker's Dozen of New Terms for Sound Analysis"

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