「Sound Theory Sound Practice」の編集履歴(バックアップ)一覧はこちら
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*Rick Altman ed. 1992
*&italic(){Sound Theory Sound Practice.}
*London: Routledge.
#amazon(0415904579,right)
&bold(){Webcat Plus} &blanklink(図書情報){http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA3199040X} | &blanklink(所蔵図書館一覧){http://webcatplus-equal.nii.ac.jp/libportal/HolderList?txt_docid=NCID%3ABA3199040X}
**目次
-Rick Altman "General Introduction: Cinema as Event"
-Rick Altman "The Material Heterogeneity of Recorded Sound"
-Part 1: Theoretical Perspectives
--Rick Altman "Introduction: Four-and-a-half Film Fallacies"
--Rick Altman "Sound Space"
--Jim Lastra "Reading, Writing, and Representing Sound"
--Steve Wurtzler "She Sang Live, but the Microphone was Turned Off: The Live, the Recorded, and the Subject of Representation"
--Michel Chion "Wasted Words"
-Part 2: Historical Speculations
--Rick Altman "Introduction: Sound / History"
--Alan Williams "Conversion to Sound"
--Natasa Durovicova "Translating America: The Hollywood Multilinguals 1929-1933"
--John Belton "1950s Magnetic Sound: The Frozen Revolution"
-Part 3: Neglected Domains
--Rick Altman "Introduction: Sound's Dark Corners"
--Amy Lawrence "Women's Voices in Third World Cinema"
--Scott Curtis "The Sound of Early Warner Bros. Cartoons"
--Mary Pat Klimek "Imagining the Sound(s) of Shakespeare: Film Sound and Adaptation"
--Jeff Ruoff "Conventions of Sound in Documentary"
--Andrea Truppin "Let There Be Sound: The Films of Andrei Tarkovsky"
-Rick Altman "Afterword: A Baker's Dozen of New Terms for Sound Analysis"
#amazon(0415904579,right)
*Rick Altman ed. 1992
*&italic(){Sound Theory Sound Practice.}
*London: Routledge.
&bold(){Webcat Plus} &blanklink(図書情報){http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA3199040X} | &blanklink(所蔵図書館一覧){http://webcatplus-equal.nii.ac.jp/libportal/HolderList?txt_docid=NCID%3ABA3199040X}
**目次
-Rick Altman "General Introduction: Cinema as Event"
-Rick Altman "The Material Heterogeneity of Recorded Sound"
-Part 1: Theoretical Perspectives
--Rick Altman "Introduction: Four-and-a-half Film Fallacies"
--Rick Altman "Sound Space"
--Jim Lastra "Reading, Writing, and Representing Sound"
--Steve Wurtzler "She Sang Live, but the Microphone was Turned Off: The Live, the Recorded, and the Subject of Representation"
--Michel Chion "Wasted Words"
-Part 2: Historical Speculations
--Rick Altman "Introduction: Sound / History"
--Alan Williams "Conversion to Sound"
--Natasa Durovicova "Translating America: The Hollywood Multilinguals 1929-1933"
--John Belton "1950s Magnetic Sound: The Frozen Revolution"
-Part 3: Neglected Domains
--Rick Altman "Introduction: Sound's Dark Corners"
--Amy Lawrence "Women's Voices in Third World Cinema"
--Scott Curtis "The Sound of Early Warner Bros. Cartoons"
--Mary Pat Klimek "Imagining the Sound(s) of Shakespeare: Film Sound and Adaptation"
--Jeff Ruoff "Conventions of Sound in Documentary"
--Andrea Truppin "Let There Be Sound: The Films of Andrei Tarkovsky"
-Rick Altman "Afterword: A Baker's Dozen of New Terms for Sound Analysis"