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 *William Howland Kenney 1999
 *&italic(){Recorded Music in American Life: The Phonograph and Popular Memory, 1890-1945.}
 *Oxford: Oxford University Press.
 
 &bold(){Webcat Plus} &blanklink(図書情報){http://webcatplus-equal.nii.ac.jp/libportal/DocDetail?txt_docid=NCID%3ABA44161204} | &blanklink(所蔵図書館一覧){http://webcatplus-equal.nii.ac.jp/libportal/HolderList?txt_docid=NCID%3ABA44161204}
 
 **目次
 -Introduction: Recorded Music and Collective Memory  
 -1. Two "Circles of Resonance": Audience Uses of Recorded Music
 -2. "The Coney Island Crowd": The Phonograph and Popular Recordings before World War I
 -3. "His Master's Voice": The Victor Talking Machine Company and the Social Reconstruction of the Phonograph
 -4. The Phonograph and the Evolution of "Foreign" and "Ethnic" Records
 -5. The Gendered Phonograph: Women and Recorded Sound, 1890-1930
 -6. African American Blues and the Phonograph: From Race Records to Rhythm and Blues
 -7. Economics and the Invention of Hillbilly Records in the South 135
 -8. A Renewed Flow of Memories: The Depression and the Struggle over "Hit Records"
 -9. Popular Recorded Music within the Context of National Life